Nosotros: Strengthening Bonds Between Jewish and Latino Communities

Jan 24, 2018 - Feb 15, 2018 — At Leon Levy Gallery @ ASF

The Philos Project and the American Sephardi Federation proudly present “Nosotros,” an art exhibit featuring the work of two renowned Latino artists, Angel Urrely (Cuba) and Carlos Ayala (Puerto Rico)–as a symbolic recognition and “step forward” to improving Jewish-Latino relations. We thank the Dominican artist, Juan Bravo, for exhibiting his pieces for the exhibit’s Opening Night, which was attended by Israel’s Consul General Dani Dayan, who made aliyah from Argentina. Each piece reflects the shared roots of Jewish and Latino communities and expresses hope for a more positive future from the perspective of each respective artist. Latin American history and artistry is rich with Sephardi and Crypto-Jewish allusions and symbols.

Each artist has displayed their works in hundreds of exhibits in both the US and Latin America, having many of them included in some of the most coveted collections in the world. We are very excited to bring them and their works to celebrate the importance of uniting us (or Nosotros), the Jewish and Latino communities, and having this art displayed in a very powerful way in ASF’s Leon Levy Gallery at The Center for Jewish History.


Angel Urrely is to the point. This son of Cuba does not beat around the bush. At least not for what the brush comes to reveal—his theory is clear and sharp. Each frame creates a specific, assertive and brutal connection. The reading of his work is—from the perspective of the viewer—very simple, to the point that if you assume an interpretation of what you are reading, believe me: Urrely is addressing exactly what you are thinking. Urrely has something to tell you and will let you know one way or another.

Carlos Ayala presents himself as the “Benjamin” of the tribes, the youngest of them all. This son of Puerto Rico presupposes that his youth may seem an obstacle to you, so he shows you his clutched fists from the introduction. This young man is fierce. Carlos shows us the deepest pains experienced by man, and brings them to an entertained, distracted and ill-bred public. He does not sit down to dream on the Caribbean coast and wait for boats loaded with promises. He does not have the time for that, but rather wants to remind you that even at the best moments pain is present. And at any moment it can befall us.